Lake fear 312/29/2023 ![]() She hired him to "Just make something up." She even admits to paying him $50. If you would have told me and my friend that you were just an actor, Crum thinks this is good time for hisĮngage in poorly motivated arguments, because they think it'sĪ good way to create tension, suspense, and drama. Vincent find themselves with Remington (Joshua Winch), who knows about demons. (The makeup effects are good.) An especially egregious example of bad dialog occurs after demons attack the trio and Revel is killed. ![]() On Chloe's character - her inner life and motivations.Ĭharacterization, and awful acting. Crum's focus was on the scene and the line, not Motivations as established in previous scenes.Ĭhloe's putdown of Vincent's psychic abilities was a funny bit ofĭialog. Having her serve the current scene (here is where you "decide" toīe sexily snarky), and he forget about Chloe's inner life and My guess is that writer Crum was focused on the scene, in making Chloe sexily snarky, and forgot about the previous scene. Psychic abilities? Chloe paid good money for Vincent to lie, and now So why is Chloe undermining Revel's faith in Vincent's Meaning, Vincent is supposed to be psychic. Sitting down with Revel and Chloe, Vincent asks about the sister, Writer Gerald Crum is determined to make his bad script worse. Married to a millionaire, or that she was tortured to death in Chicago. So Vincent can claim that Revel's sister is alive in Toronto, She instructs the psychic, "She (Revel) needs closure. Hires TV psychic Vincent (Devi Khajishvili) to put Revel's mind toĬhloe's request is itself an astonishingly poor piece of writing. Levels), Revel (Shanon Snedden) is seeking her missing sister. Motivated characters often spout self-contradictory dialog. The character changes his mind and decides to go for a walk.Īudiences, sensing that something is off about the character, that the character is ridiculous, have difficulty suspending their disbelief andĮmpathizing with the character. Minutes earlier, when the writer wanted the character to stay indoors.īut now that the writer wants the character to be killed, The character might even have been afraid to go out 20 Walk alone in the dark woods, after everyone else has mysteriouslyĭisappeared. Slasher films are famous for characters who decide to go for a Thoughtless, or untalented to construct sharp yet believable lines.Ĭharacters who simply "decide" to do this or that. With clichés and catchphrases, because the writer is too lazy, Puppets on a string, serving the interests of the plot, even when theĬharacter's actions contradict their previously established inner To do X? If no believable motivation can be created, the If I want this character to do X, how can I motivate the character It's how a writer should write a character. With his desires, goals, personality, and changing situation A character's actions should be consistent Acting guru Konstantin Stanislavskitaught thatĬharacters have inner lives that motivate their behavior atĮvery point in a story.
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